Shakespeare and the Composite Text-Reference-Cited by-同舟云学术

Shakespeare and the Composite Text

Published:2002 Issue: Volume: Page:43-66
ISSN:
Container-title:Renaissance Literature and Its Formal Engagements
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Author:

Bruster Douglas

Publisher

Palgrave Macmillan US

Link

http://link.springer.com/content/pdf/10.1007/978-1-137-07177-4_3

Reference33 articles.

1. On what I am calling the “thickness” of Renaissance texts, see Linda Woodbridge, “Patchwork: Piecing the Early Modern Mind in England’s First Century of Print Culture,” English Literary Renaissance 23 (1993): 5–45. I have discussed this phenomenon at more length in Quoting Shakespeare: Form and Culture in Early Modern Drama (Lincoln: University of Nebraska Press, 2000); see, especially, 13–51, 203–12.

2. On “cultural historicism,” see Albert H. Tricomi. Reading Tudor-Stuart Texts Through Cultural Historicism (Gainesville: University Press of Florida, 1996).

3. Heather Dubrow, A Happier Eden: The Politics of Marriage in the Stuart Epithalamium (Ithaca: Cornell University Press, 1990), 266.

4. Robert S. Miola, “Othello Furens,” Shakespeare Quarterly 41 (1990): 49–64;

5. On the changing face of source study, see also Miola’s “Shakespeare and His Sources: Observations on the Critical History of Julius Caesar,” Shakespeare Survey 40 (1988): 69–76.

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