1. Mark Rylance, ‘Playing the Globe: Artistic Policy and Practice’, in Shakespeare’s Globe Rebuilt, ed. J. R. Mulryne and Margaret Shewring (Cambridge, 1997), p. 175.
2. For a range of views on the matter of ‘authentic’ reconstructions and their relation to theatre archaeology, see John Drakakis, ‘Theatre, ideology, and institution: Shakespeare and the roadsweepers’, in The Shakespeare Myth, ed. Graham Holderness (Manchester, 1988)
3. Graham Holderness, ‘Shakespeare and heritage’, Textual Practice, 6 (1992), 247–63
4. Peggy Phelan, ‘Playing Dead in Stone: or, When is a Rose not a Rose?’, in Performance and Cultural Politics, ed. Elin Diamond (Routledge, 1996)
5. Alan C. Dessen, ‘Globe Matters’, Shakespeare Quarterly, 49 (1998), 195–8