1. Jo Mielziner, Designing for the Theatre: A Memoir and a Portfolio (New York: Bramhall, 1965), p. 124.
2. See Thomas P. Adler, ‘Tennessee Williams’s “Lyricism”: Towards an Androgynous Form,’ in Realism and the American Dramatic Tradition, ed. William W. Demastes (Tuscaloosa: University of Alabama Press, 1996), pp. 152–77.
3. Esther Merle Jackson, The Broken World of Tennessee Williams (Madison: University of Wisconsin Press, 1965), p. vii.
4. Jackson, World (1965), p. 89.
5. Jackson, World (1965), p. 87.