Patior Ergo Sum: Data Surveillance and Necropolitics in Han Song’s Hospital Trilogy

Abstract

The science fiction writer Han Song's trilogy Hospital, published between 2016 and 2018 in China, presents an eerie world of eternal pain within futuristic hospitals. With Michael Berry's translation coming out from January 2023, this work by one of the most well-known writers of contemporary Chinese science fiction is made available to an English readership. This article interrogates the nature of this pain which articulates not an impending risk of death but the patients’ inability to die. Through a process of datafication and digitalization, the patients are converted into streams of algorithmic codes and dehumanized as digital “profiles” to be collected, deposited, and re-accessed. These “profiles” become sophisticated enough to develop their own agency that replaces the patients as the targets of biopolitics, indicating an ontological transition that disempowers human beings and subjectivizes the meta-being of the patients’ digital “changelings.” I argue that this ontological transition signals a historical change in governmentality, epistemology, and political economy, gesturing towards new methods for the governance and commodification of populations in a discourse of patior ergo sum — I suffer, therefore I am.