Affiliation:
1. University of Lincolnshire
2. Nottingham Trent University
Abstract
This paper offers an interpretation of the changes in Black identity during the last century. By drawing on psychological literature and cultural artefacts, changing understandings of Blackness are read as different narrative forms. The shift from ‘Negro’ to ‘Black’ is presented as a shift from tragicto romanticnarrative, while the ‘African’ narrative that now occupies the centre stage of Black identity represents a satiricalstory. It is suggested that with a growing awareness of being both Black and ‘something else’, the apparent opposing themes in performing Blackness can be resolved by enacting a comedynarrative. There is some evidence that the comedy narrative is present but it has yet to gain ascendancy.
Subject
History and Philosophy of Science,General Psychology
Cited by
3 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献