Affiliation:
1. Ulster University, UK
2. University of Maryland, USA
Abstract
This article explores the rape plotlines in Poldark (2015–), Outlander (2014–) and Banished (2015), which mostly take place prior to #MeToo and offer a pre-watershed insight into a time when rape could still be romanticised and eroticised in a way which might not, or at least should not, be possible after October 2017. However, these plots opened up conversations about consent, rape myths and rape fantasy and hence form part of the dialogue and increasingly public awareness about sexual violence which made #MeToo possible in the first place. How fans respond to rape narratives pre- and post-#MeToo is also considered.
Subject
Communication,Cultural Studies
Cited by
13 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献