Revisiting Stories and Voices of the Rogue River War (1853–1856): A Digital Constellatory Autoethnographic Mode of Indigenous Archaeology

Abstract

The Rogue River War (RRW) between Indigenous peoples and settlers is historically overlooked and storied through settler-colonial lenses. This essay narrates participation in a digital restorying and archaeological investigation into the war in light of digital advancements in archaeology and communication. The author coins a reflexive approach referred to as a digital constellatory autoethnographic mode of Indigenous archaeology (DCAM) and details how Snapchats, iPhone images, digital memory cards, and artifacts/belongings have sets of logic, mood, and vocalic character. DCAM demonstrates how digital media not counted as “official” data enables Indigenous and ally researchers to have more honest engagements with histories.