Affiliation:
1. Unit of Social Research, Faculty of Social Sciences, Tampere University, Tampere, Finland
Abstract
This article discusses the intersections between flow art, critical play, and wellbeing in urban contexts in Finland. Flow art as an art form sits at the intersection of several movement-based creative disciplines, including contemporary circus, dance, and the underground electronic music scene. It is based on DIY in terms of making one's own props and choreographies and peer teaching/learning. The flow artists make use of several props familiar to the circus arts, including contact sticks, poi, hula hoops, diabolos, dragon staffs, and fans. The article explores how urban artistic take-overs can be understood as critical play, including the potential for political subversion and changing the meanings of urban spaces. Further, the article discusses how wellbeing is understood holistically, relationally, and interconnected to the concept of flow. The article is a result of ethnographic research conducted with flow art communities in 2021–2023.
Funder
The Kone Foundation, Finland