Perception and the Art of Depiction of Cylindrical Objects

Abstract

Many works of art, notably those in the Byzantine tradition, contain depictions of upright cylindrical objects such that the outline of their top surfaces is incompatible with that of their bottom surfaces. We endeavour to elucidate whether this is a consequence of a painterly usage or a perceptual effect and conclude, on the basis of empirical evidence, that the latter cause is more likely.