Affiliation:
1. University of St Andrews
Abstract
Music-making has played a fundamental part in Catholic faith and worship since the beginnings of the Church. Today, music-making remains embedded in the spiritual life of the Catholic Church, where it can potentially shape the spiritual realities of those performing and hearing it. Yet accessing and understanding these spiritual realities can be inherently difficult for the researcher. To address this, this chapter takes as its starting point a basic tenet of the Catholic faith: namely its rejection of a dualistic separation of body and spirit, in favour of the complete integration of spirit and body in the human person, which is understood as a body-soul composite. The chapter proposes that understanding “the body” in Catholic music-making can open up a viable path to a better understanding of music-makers’ spiritual realities and experiences. Using a case study of music-making in St Mary’s Catholic Cathedral in Edinburgh, where the author is director of music, bodily positioning of choir members in the liturgical space, clothing and robes, and the individual singer vis-à-vis the ensemble are discussed. In doing so, the chapter argues that the body is a valid and potentially fruitful place to begin understanding the spiritual realities of Catholic music-makers. Likewise, it argues that a greater understanding of this could be at the heart not just of fulfilling the musical and practical dimensions of the music director role, but also of fulfilling its spiritual ends most effectively.
Reference730 articles.
1. Music—Drastic or Gnostic?;Abbate, Carolyn;Critical Inquiry,2004
2. Rationales and functions of disliked music: An in-depth interview study;Ackermann, Taren-Ida; Merrill, Julia;PLOS ONE,2022
3. Adorno, Theodor W., ‘On the Fetish-Character in Music and the Regression of Listening’, in The Culture Industry: Selected Essays on Mass Culture, ed. by J. M. Bernstein (London and New York: Routledge, 1991), pp. 29–60.
4. —, ‘On the Social Situation of Music’, in Essays on Music, ed. by Richard Leppert (Berkeley and Los Angeles, CA: University of California Press, 2002), pp. 391–436.
5. Adnams, Gordan Alban, ‘The Experience of Congregational Singing: An Ethno-Phenomenological Approach’ (unpublished doctoral thesis, Concordia University of Edmonton, 2008).