Un soneto de Cervantes a san FranciscoA Sonnet by Cervantes to St. Francis

Author:

José Palomares1

Affiliation:

1. Instituto San Juan de la Cruz (Úbeda, Jaén)

Abstract

Abstract Among poetic compositions dedicated to St. Francis of Assisi in Jardín espiritual (1585) of Pedro de Padilla, there is, as is known, a sonnet by Miguel de Cervantes (“Muestra su ingenio el que es pintor curioso”), that has been little studied from a pictorial perspective. Indeed, the inventio of Cervantean composition derives from the Horatian dictum “ut pictura poesis” (Ad Pis., 361), applied to the topic of Deus pictor, but the originality of the laudatio is that does not remark platitudes of the Franciscan hagiography but that urges the saint as a pictura traced by ars divina and, by extension, as a microcosmic imago of Christ. In this paper we focus on the elocutive analysis of the poem, and we try to demonstrate his rhetorical design. The pictorial vocabulary is also related to several texts of the Augustinian Fray Luis de León, whose presence in the poem is postulated as a hypothesis. In the sonnet, in brief, “la historia, la poesía y la pintura simbolizan entre sí” (Persiles, III, 14).

Publisher

The Pennsylvania State University Press

Subject

Literature and Literary Theory,Arts and Humanities (miscellaneous),History,Language and Linguistics

Reference82 articles.

1. Alcántara Mejía, José Ramón. “El pensamiento de fray Luis de León en la obra de Cervantes”. La experiencia literaria 8–9 (1998–99): 65–75.

2. Alcántara Mejía, José Ramón. La escondida senda: poética y hermenéutica en la obra castellana de fray Luis de León. Salamanca: Universidad de Salamanca, 2002.

3. Arellano, Ignacio / Eichmann, Andrés. Eds. Entremeses, loas y coloquios de Potosí. (Colección del convento de Santa Teresa). Madrid: Iberoamericana, 2005.

4. Arroyo Esteban, Santiago. “Hacia el Dialogo della Pittura: Lodovico Dolce y sus Lettere di diversi (1554–1555)”. Anales de Historia del Arte 19 (2009): 157–80.

5. Arroyo Esteban, Santiago. “Pietro Aretino, Lodovico Dolce y el Juicio Final de Miguel ángel”. Studia Aurea 9 (2015): 339–60.

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1. Defensa e ilustración de la poesía de Cervantes;BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO;2023-12-22

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