Chronic Trauma, (Post)Colonial Chronotopes and Palestinian Lives: Omar Robert Hamilton’s Though I Know the River is Dry/Ma’a Anni A’rif Anna al-Nahr Qad Jaf

Author:

Moore Lindsey,Qabaha Ahmad

Publisher

Palgrave Macmillan UK

Reference44 articles.

1. Edward Said, ‘Invention, Memory and Place’, Critical Inquiry, 26:2 (2000), 175–92 (184).

2. Stef Craps, Postcolonial Witnessing: Trauma Out of Bounds (Basingstoke: Palgrave Macmillan, 2012).

3. Rosemary Sayigh, ‘On the Exclusion of the Palestinian Nakba from the “Trauma Genre”’, Journal of Palestinian Studies, 43:1 (2013), 51–60.

4. Anna Ball, ‘“Looking the Beast in the Eye”: Screening Trauma in Waltz with Bashir and Lebanon’, in The Ethics of Representation in Literature, Art, and Journalism: Transnational Responses to the Siege of Beirut, ed. Caroline Rooney and Rita Sakr (New York: Routledge, 2013), 71–85.

5. Nurith Gertz and George Khleifi, Palestinian Cinema: Landscape, Trauma and Memory (Edinburgh: Edinburgh University Press, 2008), 22.

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