Subtitling the f-word into Arabic in Hollywood films: a corpus-based study

Abstract

AbstractThis study investigates the prevailing strategies used by Arab translators when translating the f-word in subtitles. The study also determines whether these strategies are source-language-oriented or target-language-oriented. To address these research questions, a corpus of 90 Hollywood films released between 2000 and 2018 is analysed quantitatively and qualitatively, with a particular focus on their subtitles. Insights from descriptive translation studies (henceforth DTS), particularly Toury (2012), are also incorporated. The findings indicate that the functions of the f-word significantly influence the choice of subtitling strategies. Also, the use of Modern Standard Arabic in Arabic subtitles restricts the subtitlers’ linguistic options. Additionally, the nature of audiovisual translation plays a role in subtitler choices since the meaning of a word can be conveyed through gestures, images, or sounds on screen. In addition, the f-word is often translated into religious expressions, and omission is commonly used for certain functions as, for instance, an emphatic intensifier or idiomatic ‘set phrase’.