Notes on the role of the camera within a (virtual) war: the case of Silvered Water, Syria Self-Portrait

Author:

Hernández López GalaORCID

Publisher

Springer Science and Business Media LLC

Subject

General Medicine

Reference57 articles.

1. Abounaddara Collective. 2014. Syrie: la guerre au temps du télévampirisme. Libération, 14th December 2014, available at https://www.liberation.fr/planete/2014/12/14/syrie-la-guerre-au-temps-du-televampirisme_1163470. Accessed 20 August 2019.

2. Abounaddara Collective. 2015. A Right to the Image for All. A Concept Paper for a Coming Revolution. Post. Notes on Modern and Contemporary Art Around the Globe, 19th October 2015, available at https://post.at.moma.org/content_items/719-a-right-to-the-image-for-all-concept-paper-for-a-coming-revolution. Accessed 20 August 2019.

3. Abounaddara Collective. 2017. Dignity Has Never Been Photographed. Notes in Documenta 14, 24th March 2017, available at https://www.documenta14.de/en/notes-and-works/15348/dignity-has-never-been-photographed. Accessed 20 August 2019.

4. Abounaddara Collective. 2018. The Revolting Animals. Facebook, 8th March 2018, available at https://www.facebook.com/notes/abounaddara-films/the-revolting-animals-de-revolterande-djuren-la-r%C3%A9volte-des-animaux/1745373475523352/. Accessed 20 August 2019.

5. Agamben, Giorgio. 2004. Difference and Repetition. On Guy Debord’s Films. In Guy Debord and the Situationist International: Texts and Documents, ed. T. McDonough, 313–319. Cambridge: MIT.

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