1. Rebecca Schneider, “Intermediality, Infelicity, and Scholarship on the Slip,” Theatre Survey 47 (November 2006): 253–260.
2. See, for example, Susan Sontag, Against Interpretation (New York: Farrar, Straus & Giroux, 1966).
3. Gavin Butt, “Introduction: The Paradoxes of Criticism,” in After Criticism,: New Responses to Art and Performance, ed. Gavin Butt (Maiden, MA: Blackwell, 2005), 1.
4. Mathew Reason, Documentation, Disappearance and the Representation of Live Performance (New York: Palgrave Macmillan, 2006).
5. Della Pollock, “Performing Writing,” in The Ends of Performance, ed. Peggy Phelan and Jill Lane (New York: New York University Press, 1998), 73–103.