Loud and unwanted: Individual differences in the tolerance for exposure to music

Abstract

Music is generally considered a pleasant and positive stimulus. However, constant exposure to loud music, especially in acoustic environments where individuals have limited control, can transform music listening into a potentially distressing and detrimental experience. In certain contexts, music can therefore be classified as noise, with implications for mental well-being and cognitive functioning. In our paper, we delve into the complexities of this paradoxical phenomenon, discussing the implications of commonly experienced situations in which music becomes a source of discomfort due to its intensity or forced exposure. Our exploration of the effects of music exposure focuses on individual differences, encompassing clinical sensitivity (hyperacusis, misophonia), non-clinical sensitivity (noise sensitivity, sensory-processing sensitivity), and music-related individual factors (sensitivity to music pleasure). We argue that only by recognizing these aspects, significant progress can be made in prevention strategies and interventions. Our aim is to identify regulatory gaps and propose strategies to mitigate potential music-related discomfort in order to promote the creation of auditory environments that align with individual preferences and sensitivities. This approach is particularly relevant when considering clinical and non-clinical populations, for whom sensory sensitivities may substantially influence the quality of life.