Author:
Razzoli Damiano,Rodighiero Stefano,Mizzau Lorenzo,Montanari Fabrizio
Abstract
Artistic labour markets present some features that can be considered paradigmatic of work in the contemporary gig economy. Extant literature identified these features by focusing on how artists can be deemed exemplars of new and more flexible ways of organising a workforce. While studies examined workers' conditions in contemporary economy, the literature on artistic work has not delved into the role of space in artist's work experience. Thus, this study aims to look at how space can be harnessed by artistic workers to respond to the most pressing needs they express. To this end, the paper presents the results of a qualitative study conducted on young artistic workers in the city of Reggio Emilia. The authors propose three mechanisms (anchoring, framing, belonging) through which space can serve as a personal compass that helps mitigate the effects of the precariousness of work.
Subject
Organizational Behavior and Human Resource Management,Economics and Econometrics,Sociology and Political Science
Reference83 articles.
1. Informal creative labour practices: A relational work perspective
2. In, Against and Beyond Precarity: Work in Insecure Times
3. Armano E., Murgia A. (2015). The precariousnesses of young knowledge workers. A subject-oriented approach. In: Johnson M., edited by, Precariat: Labour, work and politics. New York: Routledge.
4. Bain A. (2005). Constructing an artistic identity. Work, Employment & Society, 19(1): 25-46.
5. Bain A., McLean D. (2013). The Artistic Precariat. Cambridge Journal of Regions, Economy and Society, 6: 93-111.