Affiliation:
1. The University of Chicago
Abstract
This paper presents a framework for analyzing the interval structure of pitch-class segments (ordered pitch-class sets). An “interval permutation” is a reordering of the intervals that arise between adjacent members of these pitch-class segments. Because pitch-class segments related by interval permutation are not necessarily members of the same set-class, this theory has the capability to demonstrate aurally significant relationships between sets that are not related by transposition or inversion.
I begin with a theoretical investigation of interval permutations followed by a discussion of the relationship of interval permutations to traditional pitch-class set theory, specifically focusing on how various set-classes may be related by interval permutation. A final section applies these theories to analyses of several songs from Schoenberg’s op. 15 song cycle The Book of the Hanging Gardens.
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