Innovative Application of Chinese Landscape Culture Painting Elements in AI Art Generation
Author:
Affiliation:
1. School of Traditional Chinese Painting , Guangzhou Academy of Fine Arts , Guangzhou, Guangdong , , China .
2. School of Arts and Humanities , Guangzhou Academy of Fine Arts , Guangzhou, Guangdong , , China .
Abstract
Publisher
Walter de Gruyter GmbH
Link
https://www.sciendo.com/pdf/10.2478/amns-2024-1854
Reference17 articles.
1. Wang, G., Shen, J., Yue, M., Ma, Y., & Wu, S. (2021). A computational study of empty space ratios in chinese landscape painting from 618–2011. Leonardo, 1-10.
2. Franceschet, M., Colavizza, G., Smith, T., Finucane, B., & Sebástian Hernández. (2020). Crypto art: a decentralized view. Leonardo, 54(4), 1-8.
3. Duan, L. (2018). The peircean order of signification and its encoding system in chinese landscape painting. Semiotica(221).
4. Hong, J. (2021). The creativity code: art and innovation in the age of ai. Information & culture(2), 56.
5. Guillermet, A. (2017). ‘painting like nature’: chance and the landscape in gerhard richter’s overpainted photographs. Art History.
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