Affiliation:
1. Assoc. Prof., PhD, „Transilvania” University of Brașov
Abstract
Abstract
This article is aiming at demonstrating that Jonathan Franzen’s sixth novel “Crossroads”, while essentially being a realist depiction of an American family’s way of living in the early seventies, is primarily meant to entertain the reader. It endeavors to give an answer to the question of what makes Franzen’s fiction enjoyable by focusing on plot, characters, and multiple points of view. In doing so, the final take is that the author unfolds a tale of morality, humaneness, and kindness. Apart from masterfully depicting the American realities, this long fictional work does not only entertain the readers, but it also changes them.
Reference8 articles.
1. Franzen, Jonathan (2021): “Crossroads”, 4th Estate, Harper Collins, London
2. Burn, Stephen (2008): “Jonathan Franzen at the End of Postmodernism”, Continuum Books10.5040/9781472542540
3. Freitag, Sibylle (2009): “The Return of the Real in the Works of Jonathan Franzen”, Essen
4. Weinstein, Philip (2015): “The Comedy of Rage”, Bloomsbury
5. Rothfeld, Becca (Oct. 4, 2021): “Jonathan Franzen’s Best Book Yet”, “The Atlantic”