AI Composers and Cyborg Performers: More-than-human Creativity in Music

Author:

Trump Sebastian1ORCID

Affiliation:

1. Nuremberg University of Music , Germany

Abstract

Abstract This article examines the integration of artificial intelligence in music, exploring its potential to redefine traditional creative boundaries and establish a more-than-human co-creativity. It discusses theoretical frameworks by Margret Boden, Donna Haraway, and Bruno Latour, presenting AI not just as a tool, but as an active creative participant. The paper addresses ethical concerns about AI's role in music, including authorship and copyright, advocating for a reevaluation of musicological frameworks to accommodate the evolving collaborative landscape of human and machine creativity.

Publisher

Walter de Gruyter GmbH

Reference13 articles.

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3. Braidotti, R. 2016. The Critical Posthumanities; Or, Is Medianatures to Naturecultures as Zoe Is to Bios?. Cultural Politics 12, 380–390. https://doi.org/10/ggx5t2

4. Colton, S.; Cook, M.; Hepworth, R. and Pease, A. 2014. On acid drops and teardrops: Observer issues in computational creativity, in: Proceedings of the 50th Anniversary Convention of the AISB. Society for the Study of Artificial Intelligence and Simulation of Behaviour, London.

5. Colton, S.; Pease, A.; Guckelsberger, C.; McCormack, J. and Llano, M.T. 2020. On the Machine Condition and its Creative Expression, in: Proceedings of the International Conference on Computational Creativity (ICCC).

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