A modern look at a medieval bilayer metal leaf: nanotomography of Zwischgold-Reference-Cited by-同舟云学术

A modern look at a medieval bilayer metal leaf: nanotomography of Zwischgold

Published:2022 Issue:40 Volume:14 Page:15165-15180
ISSN:2040-3364
Container-title:Nanoscale
language:en
Short-container-title:Nanoscale

Author:

Wu Qing¹²^ORCID,Soppa Karolina³^ORCID,Müller Elisabeth⁴^ORCID,Müller Julian⁵,Odstrcil Michal⁴⁶,Tsai Esther Hsiao Rho⁴⁷^ORCID,Späth Andreas⁸⁹^ORCID,Holler Mirko⁴,Guizar-Sicairos Manuel⁴,Butz Benjamin⁵,Fink Rainer H.⁸^ORCID,Watts Benjamin⁴^ORCID

Affiliation:

1. University of Zurich (UZH), Rämistrasse 73, 8006 Zurich, Switzerland

2. TH Köln – University of Applied Sciences, Ubierring 40, 50678 Köln, Germany

3. Bern University of Applied Sciences (BUAS), Fellerstrasse 11, 3027 Bern, Switzerland

4. Paul Scherrer Institute (PSI), Forschungsstrasse 111, 5232 Villigen-PSI, Switzerland

5. Micro- and Nanoanalytics Group, Universität Siegen, Paul-Bonatz-Strasse 9-11, 57076 Siegen, Germany

6. Carl Zeiss SMT, Carl-Zeiss-Straße 22, 73447 Oberkochen, Germany

7. Brookhaven National Laboratory, Upton, New York 11973, U.S.A

8. Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), Egerlandstraße 3, 91058 Erlangen, Germany

9. Institut für Nanotechnologie und korrelative Mikroskopie (INAM), Äußere Nürnberger Strasse 62, 91301 Forchheim, Germany

Abstract

Many European sculptures and altarpieces from the Middle Ages were decorated with Zwischgold, a bilayer metal leaf with an ultra-thin gold face backed by silver.

Funder

Bundesministerium für Bildung und Forschung

Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung

U.S. Department of Energy

Deutsche Forschungsgemeinschaft

Publisher

Royal Society of Chemistry (RSC)

Subject

General Materials Science

Link

http://pubs.rsc.org/en/content/articlepdf/2022/NR/D2NR03367D

Reference66 articles.

1. B.Reudenbach , Gold is Schlamm , in Material in Kunst und Alltag , Akadermie Verlag , Berlin , 2002 , pp. 1–12

2. S.Kubersky-Piredda , The Market for Painters’ Materials in Renaissance Florence , in Trade in Artists’ Materials: Market and Commerce in Europe to 1700 , Archetype Publications , London , 2010 , pp. 223–243

3. S.Nash , ‘Pour couleurs et autres choses prise de lui…’: The Supply, Acquisition, Cost and Employment of Painters Materials at the Burgundian Court, c.1375–1419 , in Trade in Artists Materials: Markets and Commerce in Europe to 1700 , Archetype Publications , London , 2010 , pp. 987–182

4. M.Eveno and E.Martin , Les feuilles mixtes or-argent en peinture de chevalet. ICOM Committee for Conservation. Painting II: Scientific study of paintings , James & James , London , 1996 , pp. 355–359

5. The Louvre Crucifix by Giotto – Unveiling the original decoration by 2D-XRF, X-ray radiography, Emissiography and SEM-EDX analysis

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