Musicality in human vocal communication: an evolutionary perspective

Author:

Leongómez Juan David1ORCID,Havlíček Jan2ORCID,Roberts S. Craig3ORCID

Affiliation:

1. Human Behaviour Lab, Faculty of Psychology, Universidad El Bosque, Bogota, Colombia

2. Department of Zoology, Charles University, Prague, Czech Republic

3. Faculty of Natural Sciences, University of Stirling, Stirling, UK

Abstract

Studies show that specific vocal modulations, akin to those of infant-directed speech (IDS) and perhaps music, play a role in communicating intentions and mental states during human social interaction. Based on this, we propose a model for the evolution of musicality—the capacity to process musical information—in relation to human vocal communication. We suggest that a complex social environment, with strong social bonds, promoted the appearance of musicality-related abilities. These social bonds were not limited to those between offspring and mothers or other carers, although these may have been especially influential in view of altriciality of human infants. The model can be further tested in other species by comparing levels of sociality and complexity of vocal communication. By integrating several theories, our model presents a radically different view of musicality, not limited to specifically musical scenarios, but one in which this capacity originally evolved to aid parent–infant communication and bonding, and even today plays a role not only in music but also in IDS, as well as in some adult-directed speech contexts. This article is part of the theme issue ‘Voice modulation: from origin and mechanism to social impact (Part II)’.

Funder

Universidad El Bosque

Publisher

The Royal Society

Subject

General Agricultural and Biological Sciences,General Biochemistry, Genetics and Molecular Biology

Reference215 articles.

1. Bohlman S. 1999 Ontologies of music. In Rethinking music (eds N Cook, M Everist), pp. 17-34. Oxford, UK: Oxford University Press.

2. Cross I. 2003 Music and biocultural evolution. In The cultural study of music: a critical introduction (eds T Herbert, R Middleton), pp. 19-30. New York, NY: Routledge.

3. The Web of Culture: A Context for Musicology

4. Statistical universals reveal the structures and functions of human music

5. Blacking J. 1995 Music, culture and experience. In Music, culture and experience: selected papers of John Blacking (ed. R Byron), pp. 223-242. London, UK: University of Chicago Press.

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