Twisting Clay

Author:

Jorgensen TavsORCID,Lightfoot Sonny LeeORCID

Abstract

This paper details practice-based research exploring new creative possibilities involving the ceramic extru­sion process. The paper begins by providing a short overview of the extrusion technique, its cha­rac­teristics and some contextual coverage of the process. The paper then describes how both tacit know­ledge and theoretical material understanding have been used to overcome technical challenges through ite­ra­tive research cycles and how, ultimately, the aesthetic qualities of the extrusion process have been used to develop a body of creative work. A key theme of the research is how digital fabrication tech­no­log­ies can be used in toolmaking scenarios to deliver innovation with a process that has long been used in craft ceramics but has remained somewhat underutilised.

Publisher

OsloMet - Oslo Metropolitan University

Subject

Urban Studies,Visual Arts and Performing Arts

Reference22 articles.

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2. Barrett, E. (2010). Practice as research – Introduction. In E. Barrett & B. Bolt (Eds.), Practice as research: Approaches to creative arts enquiry (pp. 1-13). I. B. Tauris.

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4. Benbow, J. J., Jazayeri, S. H., & Bridgwater, J. (1991). The flow of pastes through dies of complicated geometry. Powder Technology, 65(1–3), 393–401. https://doi.org/10.1016/0032-5910(91)80201-S

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