Sequences in popular cinema generate inconsistent event segmentation
Author:
Publisher
Springer Science and Business Media LLC
Subject
Linguistics and Language,Sensory Systems,Language and Linguistics,Experimental and Cognitive Psychology
Link
http://link.springer.com/content/pdf/10.3758/s13414-019-01757-w.pdf
Reference69 articles.
1. *Altman, R. (Director). (1970). MASH [Motion picture]. USA: 20th Century Fox.
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3. Ball, K., & Sekuler, R. (1979). Masking of motion by broadband and filtered directional noise. Perception & Psychophysics, 26, 206–214. https://doi.org/10.3758/BF03199870
4. Bateman, J. A. (2007). Toward a grande paradigmatique of film: Christian Metz reloaded. Semiotica, 13, 13–64. https://doi.org/10.1515/SEM.2007.070
5. Bellour, R. (1976). To analyze, to segment. Quarterly Review of Film Studies, 1, 331–353. https://doi.org/10.1080/10509207609360959
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