Visual Poetics, Intertextuality, and the Transfiguration of Ideology: An “Eye” for an “I” in Mary Harron’s Cinematic Adaptation of Bret Easton Ellis’s <i>American Psycho</i>-Reference-Cited by-同舟云学术

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Visual Poetics, Intertextuality, and the Transfiguration of Ideology: An “Eye” for an “I” in Mary Harron’s Cinematic Adaptation of Bret Easton Ellis’s American Psycho

Published:2009 Issue:1 Volume:11 Page:93-111
ISSN:1524-8429
Container-title:Interdisciplinary Literary Studies
language:en
Short-container-title:

Author:

Messier Vartan P.¹

Affiliation:

1. College of Staten Island

Publisher

JSTOR

Subject

Literature and Literary Theory

Link

https://scholarlypublishingcollective.org/psup/ils/article-pdf/11/1/93/1280434/intelitestud_11_1_93.pdf

Reference34 articles.

1. American Psycho: Uncut Version. Dir. Mary Harron. Perfs. Christian Bale and Willem Dafoe. 2000. DVD. Lion Gates Film, 2005.

2. Abel, Marco. “Judgment is not an Exit: Toward an Affective Criticism of Violence with American Psycho.” Angelaki 6.1 (2001): 137-54.

3. Bakhtin, Mikhail. The Dialogic Imagination. Ed. Michael Holquist. Trans. Caryl Emerson and Micheal Holquist. Austin: U of Texas P, 1988.

4. Bakhtin, Mikhail. Rabelais and his World. Trans. HeTene Iswolsky. Bloomington: Indiana UP, 1984.

5. Bataille, Georges, trotism: Death and Sensuality. Trans. Mary Dalwood. San Francisco: City Lights Books, 1991.

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