Making Dope Shit

Author:

Oddekalv Kjell Andreas

Abstract

In this chapter, Kjell Andreas Oddekalv presents methodological tools for the analysis of flow-rap's rhythmic structure-and suggests how this type of analysis can be utilised in higher education. Some of Hip-Hop's cultural tenets, like "keeping it real" and a focus on individual expression and "not biting" might seem at odds with the typical structures of formalised music education, the chapter foregrounds these discussions. Hip-Hop's cultural and social values are intimately connected with its aesthetics, and this chapter provides educators with a toolbox capable of letting students unpack what makes the shit dope, and make some dope shit themselves.

Publisher

transcript Verlag

Reference48 articles.

1. Adams, Kyle. 2015. “The Musical Analysis of Hip‐Hop.” In Justin A. Williams (ed.). The Cambridge Companion to Hip‐Hop, Cambridge: Cambridge University Press, 118–134.

2. Adams, Kyle. 2020. “Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip‐Hop.” Music Theory Online, 26/2.

3. Agawu, Kofi. 2004. “How We Got Out of Analysis, and How to Get Back In Again.” Music Analysis, 23/2‐3, 267–286.

4. Bradley, Adam. 2009. Book of Rhymes: The Poetics of Hip Hop, New York: Basic Civitas Book.

5. Câmara, Guilherme Schmidt. 2021. “Timing Is Everything... Or Is It? Investigating Timing and Sound Interactions in the Performance of Groove‐Based Microrhythm.” PhD diss., Universitetet i Oslo.

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