Using historical accounts of harpsichord touch to empirically investigate the production and perception of dynamics on the 1788 Taskin

Author:

MacRitchie Jennifer,Nuti Giulia

Publisher

Frontiers Media SA

Subject

General Psychology

Reference40 articles.

1. Extant Harpsichords Built or Rebuilt in France during the Seventeenth and Eighteenth Centuries: An Overview and Annotated List, Part 1.;Anderson;Early Keyboard J.,2001

2. Extant Harpsichords Built or Rebuilt in France during the Seventeenth and Eighteenth Centuries: An Overview and Annotated List, Part 2.;Anderson;Early Keyboard J.,2002

3. “Expressive production of piano timbre: touch and playing techniques for timbre control in piano performance,” in;Bernays;Proceedings of the 10th Sound and Music Computing Conference (SMC2013),2013

4. Investigating pianists’ individuality in the performance of five timbral nuances through patterns of articulation, touch, dynamics and pedalling.;Bernays;Front. Psychol.,2014

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1. Performer Experience on a Continuous Keyboard Instrument;Computer Music Journal;2020

2. Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance;The Journal of the Acoustical Society of America;2017-11

3. Perception of Harpsichord Plectra Voicing;Acta Acustica united with Acustica;2017-07-01

4. Influence of plectrum shape and jack velocity on the sound of the harpsichord: An experimental study;The Journal of the Acoustical Society of America;2017-03

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