Abstract
In this article, written in his signature style, Michael Horovitz reflects on his
longstanding fascination with William Blake. He recalls how the spirit of Blake
loomed large at the International Poetry Incarnation at the Albert Hall in the
summer of 1965, where his fellow travellers, among them Adrian Mitchell, were
driven by the nineteenth-century poet. Horovitz recounts the ways that Blake has
continued to inform his artistic practices, which cut across from poetry to
music and visual art.
Publisher
Manchester University Press
Subject
Library and Information Sciences,General Arts and Humanities
Cited by
2 articles.
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