Evaluation of Green Solvents’ Applicability for Chromatic Reintegration of Polychrome Artworks

Author:

Macchia Andrea1ORCID,Zaratti Camilla12,Biribicchi Chiara13ORCID,Colasanti Irene Angela1,Barbaccia Francesca Irene1,Favero Gabriele2ORCID

Affiliation:

1. YOCOCU, Youth in Conservation of Cultural Heritage, Via T. Tasso 108, 00185 Rome, Italy

2. Department of Environmental Biology, Sapienza University of Rome, P.le Aldo Moro 5, 00185 Rome, Italy

3. Department of Earth Sciences, Sapienza University of Rome, P.le Aldo Moro 5, 00185 Rome, Italy

Abstract

Organic solvents are commonly used in restoration treatments, including chromatic reintegration on polychrome artworks. They are often toxic, and their vapors have a high impact on the environment and restorers, possibly causing pathological conditions. Therefore, this study aims at defining a new green solvent that can be used for chromatic reintegration, maintaining the volatility and the desired physical–chemical properties. The dispersion forces value (Fd) of ethyl lactate was taken as reference for a comparison with the proposed solvents, since it was found to be the most used solvent for the dilution of Maimeri Restoration Colors (MRC) and Gamblin Conservation Colors (GCC). Based on the Teas fractional parameters, six solutions based on acetals and ethanol have been proposed and tested. They were mixed with both MRC and GCC, and applied on prepared canvases. The difference between the backgrounds made with reference solvent and the one made with the proposed alternatives was evaluated through spectrocolorimetric measurements. Fourier-transform infrared spectroscopy in the attenuated total reflectance mode (FTIR-ATR) was performed on the applied layers to evaluate the presence of residual solvent inside them, while the volatility of the solvents was assessed by performing gravimetric analysis. The study showed that acetals, acetals’ blends, and acetals–ethanol mixtures represent suitable alternatives for the dilution of Gamblin Conservation Color and Maimeri Restoration Colors.

Publisher

MDPI AG

Subject

Materials Science (miscellaneous),Archeology,Conservation

Reference38 articles.

1. Giannini, C. (2010). Tecniche Diagnostica, Conservazione, Nardini Editore.

2. Approaches to the reintegration of paint loss: Theory and practice in the conservation of easel paintings;Muir;Stud. Conserv.,2009

3. Brandi, C. (1963). Teoria del Restauro, Nardini Editore.

4. Baldini, U. (1995). Teoria del Restauro e Unità Metodologica, Nardini Editore.

5. Samet, W.H. (1994). Painted Wood: History and Conservation, The Getty Conservation Institute.

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