1. Montamat, B. (2021). Jules Lavirotte (1864–1929) or the Symbolist Art Nouveau. Les Cah. Rech. Archit. Urbaine PaysagÈRe, 32.
2. (2022, August 30). In 19th Century, Eugène Viollet-le-Duc Used ‘the Owl’ as His Symbolism of Medieval Architecture Representing Wider and Deeper Version (as He Captured the Notion That the Owl Can See in the Dark). We Can See the Owl Hidden in the Top Corner of a Column in the Churches and Other Buildings. Available online: https://medievico.wordpress.com/2018/11/28/la-chouette/.
3. (2022, August 30). In 17th Century, Architect Antoine Le Pautre Was Asked to Build l’hôtel De Beauvais for Pierre De Beauvais and Catherine Bellier, M. De Beauvais Asked the Architect to Use ‘Lion’ as a Symbol to Represent His Strength and at the Same Time Use ‘Ram’ to Represent His Wife (by Her Family Name) with ‘Bellier’ (Ram). The Animals Were Used as Part of the Architectural Decorations to Symbolically and Powerfully Represent Le Maître and La Maîtresse of the House. Available online: https://www.unjourdeplusaparis.com/paris-insolite/hotel-de-beauvais.
4. Comparison of the Significances of Garuda in Society, Arts and Architecture in Two South-East Asian Countries: Indonesia and Thailand;Syafrony;J. Community Dev. Res. Humanit. Soc. Sci.,2016
5. London, W. (1896). Animal Symbolism in Ecclesiastical Architecture, Heinemann.