Collective Joy: The Spirituality of the Community Big Band Wonderbrass

Author:

Smith Robert K.1ORCID,O’Mahoney Hannah2,Roberts Stephen B.3ORCID

Affiliation:

1. Faculty of Business and Creative Industries, University of South Wales, Cardiff CF24 2FN, UK

2. Independent Researcher, Cardiff CF14, UK

3. Cardiff Baptist College, Cardiff University, Cardiff CF10 3AT, UK

Abstract

Wonderbrass is a community music band that performs professionally. This article—written by three members of the band—uses collaborative/conversational autoethnography to explore the significance of the band through the lens of spirituality. After a brief overview of the history and ethos of the band, the autoethnographic methodology is discussed with particular attention to its significance for the investigation of music and spirituality. The rest of the article uses this methodology to explore the authors’ relationships, first to religion and spirituality, and then to their shared experience of Wonderbrass through the period of lockdown and subsequent emergence from that period. Through the conversational autoethnographic writing of the authors and analysis of emerging themes, the band is identified as supporting a spirituality that we identify as collective joy, experienced through fun, connection, and joy as sources of happiness, wellbeing, and flourishing.

Publisher

MDPI AG

Subject

Religious studies

Reference43 articles.

1. Ross, David (2009). The Nicomachean Ethics, OUP. Oxford World’s Classics.

2. Behind the Baton: Exploring Autoethnographic Writing in a Musical Context;Bartleet;Journal of Contemporary Ethnography,2009

3. Bartleet, Brydie-Leigh, and Ellis, Carolyn (2009). Music Autoethnographies: Making Autoethnography Sing/Making Music Personal, Australian Academic Press.

4. Bregman, Lucy (2014). The Ecology of Spirituality: Meanings, Virtues, and Practices in a Post-Religious Age, Baylor University Press.

5. Boyce-Tillman, June (2016). Experiencing Music—Restoring the Spiritual: Music as Well-Being, Peter Lang.

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