Collective Improvisation: The Practice and Vision of Ingemar Lindh

Author:

Camilleri Frank1

Affiliation:

1. Frank Camilleri is Lecturer in Drama and Theatre Studies at the University of Kent in Canterbury (UK). He is also the Artistic Director and a performer for Icarus Performance Project (Malta), an ongoing research laboratory that focuses on the space between training and performance processes not as an intermediary stage but as a self-contained phenomenon. From 2004 to 2008 he was Academic Coordinator of the Theatre Studies Program at the University of Malta, where he organized three editions of SUPA—the...

Abstract

Ingemar Lindh's research on the principles of collective improvisation and performance conceived as process announce an important development in the 20th-century tradition of the actor's work. After early studies with Étienne Decroux and working collaborations with Jerzy Grotowski, Eugenio Barba, and Yves Lebreton, Lindh founded the first laboratory theatre in Sweden in 1971, the Institutet för Scenkonst. His practice of collective improvisation is viewed in light of postdramatic concerns such as its resistance to fixed scores, directorial montage, and choreography as an organizing principle.

Publisher

MIT Press - Journals

Subject

Literature and Literary Theory,Visual Arts and Performing Arts

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