Of Hybrids and the Posthuman: Performer Training in the 21st Century-Reference-Cited by-同舟云学术

Of Hybrids and the Posthuman: Performer Training in the 21st Century

Published:2015-09 Issue:3 Volume:59 Page:108-122
ISSN:1054-2043
Container-title:TDR/The Drama Review
language:en
Short-container-title:TDR/The Drama Review

Author:

Camilleri Frank¹

Affiliation:

1. Frank Camilleri is Associate Professor in Theatre Studies at the University of Malta and Artistic Director of Icarus Performance Project (Malta). He was based at the University of Kent (United Kingdom) from 2008 to 2013, and was visiting professor at the University of Huddersfield (United Kingdom) from 2013 to 2014. He has published various articles on laboratory process, performer training, and practice as research. With Eugenio Barba and Dariusz Kosinski he co-edits the Routledge-Icarus “Theatre as a...

Abstract

A post-psychophysical theoretical and practical framework for performer training is evolving in response to sociological theories of material and immaterial labor, the formulation of “dynamic hybridity” from the field of human geography, and contemporary posthuman thought.

Publisher

MIT Press - Journals

Subject

Literature and Literary Theory,Visual Arts and Performing Arts

Link

http://www.mitpressjournals.org/doi/pdf/10.1162/DRAM_a_00473

Reference6 articles.

1. Of Pounds of Flesh and Trojan Horses: Performer training in the twenty-first century

2. Between Laboratory and Institution: Practice as Research in No Man's Land

3. Making Visible the Invisible: Ingemar Lindh's Practice of Collective Improvisation and Étienne Decroux

4. Towards the study of actor training in an age of globalised digital technology

5. Dynamic hybrids and the geographies of technoscience: discussing conceptual resources beyond the human/non-human binary

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2. Internet theatre and the historical consciousness of the Covid-19 era;International Journal of Performance Arts and Digital Media;2021-11-22

3. A Hybridity Continuum;Performance Research;2020-05-18

4. Of assemblages, affordances, and actants – or the performer as bodyworld: the case of puppet and material performance;Studies in Theatre and Performance;2020-04-28

5. From bodymind to bodyworld: the case of mask work as a training for the senses;Theatre, Dance and Performance Training;2020-01-02