danceroom Spectroscopy: At the Frontiers of Physics, Performance, Interactive Art and Technology-Reference-Cited by-同舟云学术

danceroom Spectroscopy: At the Frontiers of Physics, Performance, Interactive Art and Technology

Published:2016-04 Issue:2 Volume:49 Page:138-147
ISSN:0024-094X
Container-title:Leonardo
language:en
Short-container-title:Leonardo

Author:

Mitchell Thomas¹,Hyde Joseph²,Tew Philip³,Glowacki David R.⁴

Affiliation:

1. Thomas Mitchell (computer scientist, digital artist), Department of Computer Science and Creative Technologies, University of the West of England, Coldharbour Lane, Bristol BS16 1QY, U.K..

2. Jo Hyde (composer, sound artist), School of Music and Performing Arts, Bath Spa University, Newton Park, Bath BA2 9BN, U.K..

3. Phillip Tew (digital artist), Pervasive Media Studio, Leadworks, Anchor Square, Harbourside, Bristol, Avon BS1 5DB, U.K.; Interactive Scientific Ltd., Deben House, 1-5 Lawrence Hill, Bristol, BS5 0BY, U.K..

4. David Glowacki (scientist, artist), School of Chemistry & Department of Computer Science, University of Bristol, Cantock’s Close, Clifton, Bristol BS8 1TS, U.K.; Interactive Scientific Ltd., Deben House, 1-5 Lawrence Hill, Bristol BS5 0BY, U.K..

Abstract

danceroom Spectroscopy is an interactive audiovisual art installation and performance system driven by rigorous algorithms commonly used to simulate and analyze nanoscale atomic dynamics. danceroom Spectroscopy interprets humans as “energy landscapes,” resulting in an interactive system in which human energy fields are embedded within a simulation of thousands of atoms. Users are able to sculpt the atomic dynamics using their movements and experience their interactions visually and sonically in real time. danceroom Spectroscopy has so far been deployed as both an interactive sci-art installation and as the platform for a dance performance called Hidden Fields.

Publisher

MIT Press - Journals

Subject

Computer Science Applications,Music,Engineering (miscellaneous),Visual Arts and Performing Arts

Link

https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_00924

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