Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju

Author:

Yang Ye1,Chen Guangxi2,Li Mengqi3,Zhang Kang4

Affiliation:

1. Ye Yang, College of Design and Innovation, Tongji University, Shanghai, Shanghai, 200092, China. Email: yeyang_design@tongji.edu.cn.

2. Guangxi Chen, The School of Industrial Design, Nanjing University of the Arts, Nanjing, Nanjing, 210000, China. Email: charleschengx1990@gmail.com.

3. Mengqi Li, Email: limengqimanchi@outlook.com.

4. Kang Zhang, Computational Media and Arts Thrust, Hong Kong University of Science and Technology (Guangzhou), Guangdong, China. Email: kzhangcma@ust.hk.

Abstract

AbstractThis article presents a human-machine design approach to the artistic and metaphorical representation of the traditional weaving scenes featured on Yunjin brocade as interactive moiré patterns accompanied by Nanjing Baiju performance. After extracting the basic elements of the eye-shaped moiré patterns, the authors systematically recomposed them to mimic the weaving process. They then wrote an algorithm to generate moiré patterns that respond dynamically to the unique sounds weavers make while weaving, symbolizing the gazes and eye contacts among the weavers. This became an interactive sonic installation, Sweating Weaving Room, which represents the rhythmic machine sounds, the Nanjing Baiju, and the hard labor and harmonious work hidden behind the glamorous brocade.

Publisher

MIT Press

Subject

Computer Science Applications,Music,Engineering (miscellaneous),Visual Arts and Performing Arts

Reference32 articles.

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3. “Computer Simulation and Generation of Moving Sand Pictures,”;Zhang;IEEE Transactions on Visualization and Computer Graphics,2018

4. “Parametric Modeling and Generation of Mandala Thangka Patterns,”;Zhang;Journal of Computer Languages,2020

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