Crypto Art: A Decentralized View-Reference-Cited by-同舟云学术

Crypto Art: A Decentralized View

Published:2021 Issue:4 Volume:54 Page:402-405
ISSN:0024-094X
Container-title:Leonardo
language:en
Short-container-title:

Author:

Franceschet Massimo¹,Colavizza Giovanni²^ORCID,Smith T’ai³,Finucane Blake⁴,Ostachowski Martin Lukas⁵,Scalet Sergio⁶,Perkins Jonathan⁷,Morgan James⁸,Hernández Sebastián⁹

Affiliation:

1. Massimo Franceschet, Department of Mathematics, Computer Science, and Physics, University of Udine. Email: massimo.franceschet@uniud.it.

2. Giovanni Colavizza, Department of Media Studies, University of Amsterdam. Email: g.colavizza@uva.nl.

3. T’ai Smith, Department of Art History, Visual Art and Theory, University of British Columbia. Email: tai.smith@ubc.ca.

4. Blake Finucane, Department of Art History, Visual Art and Theory, University of British Columbia. Email: blake@blakefinucane.ca.

5. Martin Lukas Ostachowski, ArtbyMLO. Email: martin@ostachowski.com.

6. Sergio Scalet, Hackatao. Email: sergio.scalet@hackatao.com.

7. Jonathan Perkins, SuperRare.co. Email: jperkins@pixura.io.

8. James Morgan, KnownOrigin.io. Email: james.morgan@blockrocket.tech.

9. Sebastián Hernández, the Momus Collective. Email: sebdecentr@protonmail.com.

Abstract

Abstract Crypto art is limited-edition digital art, cryptographically registered with a token on a blockchain. Tokens represent a transparent, auditable origin and provenance for a piece of digital art. Blockchain technology allows tokens to be held and securely traded without the involvement of third parties. Crypto art draws its origins from conceptual art—sharing the immaterial and distributive nature of artworks, the tight blending of artworks with currency and the rejection of conventional art markets and institutions. The authors propose a collection of viewpoints on crypto art from different actors within the system: artists, collectors, gallerists, art historians and data scientists. A set of emerging themes and open challenges surfaces.

Publisher

MIT Press - Journals

Subject

Computer Science Applications,Music,Engineering (miscellaneous),Visual Arts and Performing Arts

Link

http://direct.mit.edu/leon/article-pdf/54/4/402/1958990/leon_a_02003.pdf

Reference7 articles.

1. J. Bailey , “Rare Pepe Wallet & the Birth of Crypto Art,”Artnome (25 January 2018): www.artnome.com/news/2018/1/23/rare-pepe-wallet-the-birth-of-cryptoart (accessed 20 August 2019).

2. B.P. Finucane , “Creating with Blockchain Technology: The ‘Provably Rare’ Possibilities of Crypto Art” (Master’s thesis, University of British Columbia, 2018). The Artist’s Contract, a legal document and work of art published by Siegelaub in magazines worldwide, is more formally known as The Artist’s Reserved Rights Transfer and Sale Agreement.

3. “The Dematerialization of Art,”;Lippard;Art International,1968

4. “Escape Attempts,”;Lippard,1973

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