Listening to the Mind Listening: An Analysis of Sonification Reviews, Designs and Correspondences

Author:

Barrass Stephen1,Whitelaw Mitchell2,Bailes Freya3

Affiliation:

1. Stephen Barrass (researcher, designer, sonifier), Sonic Communications Research Group, School of Creative Communication, University of Canberra, ACT 2601, Australia..

2. Mitchell Whitelaw (lecturer, writer, artist), Sonic Communications Research Group, School of Creative Communication, University of Canberra, ACT 2601, Australia..

3. Freya Bailes (researcher, psychologist and musician), Sonic Communications Research Group, School of Creative Communication, University of Canberra, ACT 2601, Australia..

Abstract

Listening to the Mind Listening (LML) explored whether sonifications can be more than just “noise” in terms of perceived information and musical experience. The project generated an unprecedented body of 27 multichannel sonifications of the same dataset by 38 composers. The design of each sonification was explicitly documented, and there are 88 analytical reviews of the works. The public concert presenting 10 of these sonifications at the Sydney Opera House Studio drew a capacity audience. This paper presents an analysis of the reviews, the designs and the correspondences between timelines of these works.

Publisher

MIT Press - Journals

Subject

Computer Science Applications,Music,Engineering (miscellaneous)

Cited by 9 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. An interdisciplinary journey towards an aesthetics of sonification experience;Journal on Multimodal User Interfaces;2023-10-21

2. Intelligible Sonifications;Human–Computer Interaction Series;2019

3. Data Musicalization;ACM Transactions on Multimedia Computing, Communications, and Applications;2018-05-31

4. Towards a systematic approach to real-time sonification design for surface electromyography;Displays;2017-04

5. Lobbying for the ear, listening with the whole body: the (anti-)visual culture of sonification;Sound Studies;2016-01-02

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