A Presence- and Performance-Driven Framework to Investigate Interactive Networked Music Learning Scenarios

Author:

Delle Monache Stefano1ORCID,Comanducci Luca2ORCID,Buccoli Michele2,Zanoni Massimiliano2,Sarti Augusto2,Pietrocola Enrico3,Berbenni Filippo3,Cospito Giovanni3

Affiliation:

1. Department of Architecture and Arts, IUAV University of Venice, Venice, Italy

2. Dipartimento di Elettronica, Informazione e Bioingegneria, Politecnico di Milano, Milano, Italy

3. Department New Technologies and Musical Languages, “G. Verdi” Music Conservatory, Milano, Italy

Abstract

Cooperative music making in networked environments has been subject of extensive research, scientific and artistic. Networked music performance (NMP) is attracting renewed interest thanks to the growing availability of effective technology and tools for computer-based communications, especially in the area of distance and blended learning applications. We propose a conceptual framework for NMP research and design in the context of classical chamber music practice and learning: presence-related constructs and objective quality metrics are used to problematize and systematize the many factors affecting the experience of studying and practicing music in a networked environment. To this end, a preliminary NMP experiment on the effect of latency on chamber music duos experience and quality of the performance is introduced. The degree of involvement, perceived coherence, and immersion of the NMP environment are here combined with measures on the networked performance, including tempo trends and misalignments from the shared score. Early results on the impact of temporal factors on NMP musical interaction are outlined, and their methodological implications for the design of pedagogical applications are discussed.

Funder

Erasmus+

Publisher

Hindawi Limited

Subject

Electrical and Electronic Engineering,Computer Networks and Communications,Information Systems

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