PHOTOGRAPHIC ART AND ANTHROPOLOGY: DECODING THE MULTIFACETED CULTURE OF CORPORALITY

Author:

Zhu Yuwen1

Affiliation:

1. Russian State Stroganov Art and Industrial University; Zhejiang University of Finance and Economics

Abstract

The art of photography has been challenging and reshaping our perception of the world since its inception. Likewise, anthropology, as a discipline that studies human cultures, social structures, and beliefs, offers a valuable perspective for understanding the body presentation in photography. Combining anthropological theories and methods, as well as analysing and interpreting works of photographic art, the article examines how identity is interpreted, constructed, expressed in culture and social structure in photographic art, including through a body image. The body is the most direct and authentic manifestation of identity. However, identity is not some kind of fixed label; it is multi-layered and multidimensional, constantly developing and changing both in a person and in the environment. As an artistic medium, photography makes it possible to show this changeability and versatility of identity. Moreover, the body does not exist in isolation in photography; it is placed in a cultural, historical and social context. This context gives the photographer and the viewer a clue to deciphering the body, helping to deeper understand the body’s place in culture and the values and beliefs it carries. Photography captures not only the body but also the many interpretations and meanings given to the body in culture. By exploring the relationship between the body and social structure, we find that certain body features are used in various sociocultural contexts to differentiate social status, gender, race, and other social markers. By highlighting or challenging these features, photography deepens our understanding of the role of corporality in social structures. Thus, the application of anthropological approaches to the analysis of the art of photography provides us with a fresh perspective, allowing us to gain a deeper understanding of the cultural, social and individual meanings embedded in photography. Through anthropological interpretation and understanding of the body, through the expressive means of photography, works of greater depth and breadth can be presented, and the viewer, owing to the anthropological perspective, can gain a deeper understanding of the cultural context and social environment in which he or she lives.

Publisher

Science and Art

Subject

Industrial and Manufacturing Engineering,Polymers and Plastics,History,Business and International Management

Reference7 articles.

1. Bourdieu, P. 1996. Photography: A Middle-Brow Art. Stanford University Press, p. 232. @@ Bourdieu, P. Photography: A Middle-Brow Art. / Pierre Bourdieu — Stanford University Press, 1996. — p. 232.

2. Belting, H. 2014. An Anthropology of Images: Picture, Medium, Body. Translated by Thomas Dunlap. — Princeton: Princeton University Press, p. 216 @@ Belting, H. An Anthropology of Images: Picture, Medium, Body. / Hans Belting, translated by Thomas Dunlap. — Princeton: Princeton University Press, 2014. — p. 216.

3. Pinney, C. 2011. Photography and Anthropology. The University Of Chicago Press, p. 174. @@ Pinney, C. Photography and Anthripology / Christopher Pinney. — The University Of Chicago Press, 2011. — p. 174.

4. Deng Qiyao. 2013. Introduction to Visual Anthropology. — Guangzhou: Sun Yat-sen University, p.337. 邓启 耀 (中国), «视觉人类学导论», 中山大学出版社, 2013年 @@ Дэн Цияо. Введение в визуальную антропологию / Дэн Цияо. — Гуанчжоу: Университет им. Сунь Ятсена, 2013. — С. 337. 邓启耀 (中国), «视觉人类学导论», 中山大学出版社, 2013年. p. 337.

5. Wei Xiaomei, Jin Guanjun. 2009. “Interpretation of the ‘Body’ in Postmodern Feminist Photography”, Beifang meishu (Art of the North), no. 1, pp. 36–37. 魏晓媚 金 冠军, «身体» 在后现代女性主义摄影中的诠释, 北方美, 2009年第一期 @@ Вэй Сяомэй, Цзинь Гуаньцзюнь. Интерпретация «тела» в постмодернистской феминистической фотографии / Вэй Сяомэй, Цзинь Гуаньцзюнь // Бэйфан мэйшу = Искусство Севера. — 2009. — № 1. — С. 36–37. 魏晓媚 金冠军, «身体»在后现代女性主义摄影 中的诠释, 北方美术, 2009年第一期, р. 36–37.

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3