Following the Master’s Hands: Capturing Piano Performances for Mixed Reality Piano Learning Applications-Reference-Cited by-同舟云学术

Following the Master’s Hands: Capturing Piano Performances for Mixed Reality Piano Learning Applications

Published:2023-04-19 Issue: Volume: Page:
ISSN:
Container-title:Extended Abstracts of the 2023 CHI Conference on Human Factors in Computing Systems
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Author:

Labrou Katerina¹^ORCID,Zaman Cagri Hakan²^ORCID,Turkyasar Arda³^ORCID,Davis Randall⁴^ORCID

Affiliation:

1. Massachusetts Institute of Technology, United States

2. Virtual Experience Design Lab, Massachusetts Institute of Technology, United States

3. Mediate Labs, United States

4. EECS, Massachusetts Institute of Technology, United States

Publisher

ACM

Link

https://dl.acm.org/doi/pdf/10.1145/3544549.3585838

Reference20 articles.

1. Simone Dalla Bella and Caroline Palmer . 2011. Rate Effects on Timing , Key Velocity, and Finger Kinematics in Piano Performance. PLOS ONE 6, 6 (06 2011 ), 1–10. https://doi.org/10.1371/journal.pone.0020518 10.1371/journal.pone.0020518 Simone Dalla Bella and Caroline Palmer. 2011. Rate Effects on Timing, Key Velocity, and Finger Kinematics in Piano Performance. PLOS ONE 6, 6 (06 2011), 1–10. https://doi.org/10.1371/journal.pone.0020518

2. Shinichi Furuya and Eckart Altenmüller . 2013. Flexibility of movement organization in piano performance. Frontiers in Human Neuroscience 7 ( 2013 ). https://doi.org/10.3389/fnhum.2013.00173 10.3389/fnhum.2013.00173 Shinichi Furuya and Eckart Altenmüller. 2013. Flexibility of movement organization in piano performance. Frontiers in Human Neuroscience 7 (2013). https://doi.org/10.3389/fnhum.2013.00173

3. Lynda Gerry , Sofia Dahl , and Stefania Serafin . 2019 . ADEPT: Exploring the Design, Pedagogy, and Analysis of a Mixed Reality Application for Piano Training . In Proceedings of the 16th Sound and Music Computing Conference SMC 2019(Proceedings of the Sound and Music Computing Conference , Vol. 1). Sound and Music Computing Network, 241–249. https://doi.org/10.5281/zenodo.3249333 16th Sound and music computing conference, SMC 2019 ; Conference date: 28-05-2019 Through 31- 05 - 2019 . 10.5281/zenodo.3249333 Lynda Gerry, Sofia Dahl, and Stefania Serafin. 2019. ADEPT: Exploring the Design, Pedagogy, and Analysis of a Mixed Reality Application for Piano Training. In Proceedings of the 16th Sound and Music Computing Conference SMC 2019(Proceedings of the Sound and Music Computing Conference, Vol. 1). Sound and Music Computing Network, 241–249. https://doi.org/10.5281/zenodo.3249333 16th Sound and music computing conference, SMC2019 ; Conference date: 28-05-2019 Through 31-05-2019.

4. Werner Goebl . 2017. Movement and touch in piano performance. Handbook of human motion ( 2017 ), 1–18. Werner Goebl. 2017. Movement and touch in piano performance. Handbook of human motion (2017), 1–18.

5. Werner Goebl , Simon Dixon , and Emery Schubert . 2014. Quantitative methods: Motion analysis, audio analysis, and continuous response techniques. Expressiveness in music performance: Empirical approaches across styles and cultures ( 2014 ), 221–239. Werner Goebl, Simon Dixon, and Emery Schubert. 2014. Quantitative methods: Motion analysis, audio analysis, and continuous response techniques. Expressiveness in music performance: Empirical approaches across styles and cultures (2014), 221–239.

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