Critical Climate Machine: A Visual and Musical Exploration of Climate Misinformation through Machine Learning

Author:

Robillard Gaëtan1ORCID,Nika Jérôme2ORCID

Affiliation:

1. ESIEE Paris - Université Gustave Eiffel, Noisy-le-Grand, France and Arcanes - Université de Montréal, Montréal, Canada

2. Ircam - Sorbonne Université, CNRS UMR STMS 9912, Paris, France

Abstract

Critical Climate Machine is a cutting-edge media art installation that critically exposes and quantifies mechanisms of climate change misinformation. Utilizing computational aesthetics across data, imagery, and sound, this work processes real-time data from X (Twitter) through a natural language processing learning model derived from cognitive sciences. It not only renders the statistical aspects of this data visually but also manifests its thermal effects. A unique audio dimension is introduced through dialogues between climate skeptics and climate advocates, processed by the generative machine learning (ML) algorithm Dicy2. These elements collectively shape the installation, each unveiling its distinctive algorithmic aesthetics and technical underpinnings. This paper concentrates on the dual application of ML algorithms: one for dissecting extensive online misinformation streams, and the other for creating climate-related dialogues. This dual approach opens a discussion on the mediation of climate, at the convergence of computational and physical realms. Our aim is to critically examine the role of ML technologies in crafting aesthetic experiences that resonate within scientific discourse and public debate on climate issues.

Funder

Horizon 2020 Framework Programme

Publisher

Association for Computing Machinery (ACM)

Reference10 articles.

1. Emanuele Arielli. 2021. "Even an AI could do that". In Artificial Aesthetics: A critical guide to AI media and design. Manovich and Arielli 26.

2. Margaret A. Boden and Ernest A. Edmonds. 2019. From Fingers to Digits: An Artificial Aesthetic. MIT Press, Cambridge, MA.

3. Computer-assisted classification of contrarian claims about climate change

4. Jérôme Nika and Jean Bresson. 2021. Composing Structured Music Generation Processes with Creative Agents. In 2nd Joint Conference on AI Music Creativity (AIMC 2021). 12.

5. Jérôme Nika, Ken Déguernel, Axel Chemla, Emmanuel Vincent, and Gérard Assayag. 2017. Dyci2 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms. In International Computer Music Conference.

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