Affiliation:
1. Centre Inria d'Université Côte d'Azur, Sophia Antipolis, France
2. University of Toronto, Toronto, Canada
Abstract
The ability to represent artworks as stacks of layers is fundamental to modern graphics design, as it allows artists to easily separate visual elements, edit them in isolation, and blend them to achieve rich visual effects. Despite their ubiquity in 2D painting software, layers have not yet made their way to VR painting, where users paint strokes directly in 3D space by gesturing a 6-degrees-of-freedom controller. But while the concept of a stack of 2D layers was inspired by real-world layers in cell animation, what should 3D layers be? We propose to define
3D-Layers
as groups of 3D strokes, and we distinguish the ones that represent 3D geometry from the ones that represent color modifications of the geometry. We call the former
substrate layers
and the latter
appearance layers.
Strokes in appearance layers modify the color of the substrate strokes they intersect. Thanks to this distinction, artists can define sequences of color modifications as stacks of appearance layers, and edit each layer independently to finely control the final color of the substrate. We have integrated
3D-Layers
into a VR painting application and we evaluate its flexibility and expressiveness by conducting a usability study with experienced VR artists.
Funder
European Research Council
Publisher
Association for Computing Machinery (ACM)
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