In-situ technical study of modern paintings - Part 2: Imaging and spectroscopic analysis of zinc white in paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)

Author:

Giorgi L.,Nevin A.,Comelli D.,Frizzi T.,Alberti R.,Zendri E.,Piccolo M.,Izzo F.C.ORCID

Funder

Ca' Foscari University of Venice

Publisher

Elsevier BV

Subject

Spectroscopy,Instrumentation,Atomic and Molecular Physics, and Optics,Analytical Chemistry

Reference23 articles.

1. Fluorescence lifetime imaging and spectroscopy as tools for nondestructive analysis of works of art;Comelli;Appl. Opt.,2004

2. On the discovery of an unusual luminescent pigment in Van Gogh's painting “Les bretonnes et le pardon de pont Aven”;Comelli;Appl. Phys. A,2012

3. A multiscalar photoluminescenc e approach to discriminate among semiconducting historical zinc white pigments;Bertrand;Analyst,2013

4. An integrated approach based on micro-mapping analytical techniques for the detection of impurities in historical Zn-based white pigments;Capogrosso;J. Anal. At. Spectrom.,2015

5. Artists' Pigments: A Handbook of Their History and Characteristics,1993

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