Connecting palettes — An integrated spectroscopic analysis and UMAP visualisation of Wu Guanzhong's paint palette and his painting-Reference-Cited by-同舟云学术

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Connecting palettes — An integrated spectroscopic analysis and UMAP visualisation of Wu Guanzhong's paint palette and his painting

Published:2024-07 Issue: Volume:68 Page:354-363
ISSN:1296-2074
Container-title:Journal of Cultural Heritage
language:en
Short-container-title:Journal of Cultural Heritage

Author:

Chiu King Wai^ORCID,Sin Dickson Tik San^ORCID,Long May Chui In^ORCID

Publisher

Elsevier BV

Reference41 articles.

1. On the Titian's self-portrait mentioned by Vasari with technical analysis of an anonymous painting;Molaro;J. Cult. Herit.,2021

2. Non-invasive mapping methods for pigments analysis of Roman mural paintings;Dal Fovo;J. Cult. Herit.,2020

3. The man who became a Blue Glass. Reflectance hyperspectral imaging discloses a hidden Picasso painting of the Blue period;Cucci;J. Cult. Herit.,2023

4. Hyperspectral imaging applied to the analysis of Goya paintings in the Museum of Zaragoza Spain;Daniel;Microchem. J.,2016

5. Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies;Daly;Herit. Sci.,2019

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