The paradox of the virtual Iñárritu's Carne y Arena between innovative spect-actor and traditional fruition-Reference-Cited by-同舟云学术

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The paradox of the virtual Iñárritu's Carne y Arena between innovative spect-actor and traditional fruition

Published:2022-06 Issue:1 Volume:2 Page:23
ISSN:2664-3294
Container-title:New Techno Humanities
language:en
Short-container-title:New Techno Humanities

Author:

Buscemi Francesco^ORCID

Publisher

Elsevier BV

Reference27 articles.

1. Immersion and Immiseration: Alejandro González Iñárritu’s Carne y Arena;Adelman;American Quarterly,2019

2. The Theatre and its Double: Essays;Artaud,1958

3. Theatre of the Oppressed;Boal,1993

4. Storytelling for Virtual Reality: Methods and Principles for Crafting Immersive Narratives;Bucher,2017

5. D'Aloia, Adriano. 2018. “Virtually Present, Physically Invisible: Virtual reality immersion and emersion in Alejandro González Iñárritu’s Carne y Arena.” Senses of Cinema, June, 2018. https://www.sensesofcinema.com/2018/feature-%20articles/virtually-present-physically-invisible-virtual-reality-immersion-and-emersion-in-alejandro-gonzalez-inarritus-carne-y-arena/.

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