Affiliation:
1. Scientific Research Department, National Gallery of Art, Washington, D.C. 20565;
Abstract
Following a brief overview of the history of analysis of artists' pigments, I discuss the illustrative example of lead-tin yellow. Recent advances in our knowledge of artists' use of red lakes, glassy pigments, and metallic pigments in works of cultural heritage, particularly European paintings, as determined from chemical analyses are described.
Cited by
25 articles.
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