The Rendering of Foul Language in Spanish-English Subtitling: The Case of El Vecino

Author:

Barrera-Rioja NoemíORCID

Abstract

Audiovisual translation into English is recently gaining importance as the material produced in other languages is now increasingly crossing borders thanks to the internet. This article explores foul language, deemed one of the most problematic aspects of subtitling. The aim is to elucidate how this is normally subtitled into English. Drawing on a corpus of swearwords from Netflix Spanish comedy series El Vecino (Vigalondo, 2019‒2021), this paper examines the frequency of use of different translation techniques and the reasons behind the omission of certain instances of foul language. Results show that, while omitting swearwords is the second most common scenario, the most frequent one is transferring the offensive load of the original expression, with roughly 70 % of instances making it into the target product. As for factors influencing this decision, it was observed that overall swearwords are omitted not because they are offensive, but primarily because of their low narrative value, the subtitling’s vulnerability, and the interaction between swearwords and non-verbal elements. Time and space constraints of subtitling appear to have little impact. These results suggest that the potential influence of censorship and cultural differences on foul language omissions in English subtitles is presented as a possible research avenue.

Publisher

Universidad de Antioquia

Subject

Linguistics and Language,Education,Language and Linguistics,Literature and Literary Theory,Cultural Studies

Reference58 articles.

1. Alsharhan, A. (2020). Netflix no-censorship policy in subtitling taboo language from English into Arabic. Journal of Audiovisual Translation, 3(2), 7–28. https://doi.org/10.47476/jat.v3i2.2020.127

2. Alves, F., & Hurtado, A. (2010). Cognitive approaches. In Y. Gambier, & L. van Doorslaer (Eds.), Handbook of translation studies (pp. 28–35). John Benjamins. https://doi.org/10.1075/hts.1.cog1

3. Andersson, L. G., & Trudgill, P. (1990). Bad language. Basil Blackwell.

4. Ávila-Cabrera, J. J. (2015a). Estudio sobre la subtitulación del lenguaje ofensivo y tabú en los guiones de Tarantino. Sendebar, 26, 37–56. https://doi.org/10.30827/sendebar.v26i0.2501

5. Ávila-Cabrera, J. J. (2015b). Propuesta de modelo de análisis del lenguaje ofensivo y tabú en la subtitulación. Verbeia, (0), 8–27.

Cited by 2 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Vulgarization or non-vulgarization in dubbing from English into Italian? Insights from Netflix TV series;Cadernos de Tradução;2024-06-12

2. Sexo y lenguaje ofensivo: el doblaje de Sex Education;Entreculturas. Revista de Traducción y Comunicación Intercultural;2024-02-27

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3