The written-oral paradigm in the transcriptions of church music by Stevan Stojanović Mokranjac-Reference-Cited by-同舟云学术

The written-oral paradigm in the transcriptions of church music by Stevan Stojanović Mokranjac

Published:2014 Issue:44-2 Volume: Page:133-142
ISSN:0354-818X
Container-title:New Sound
language:en
Short-container-title:New Sound

Author:

Perković Ivana^ORCID

Abstract

The question of the relation between the written and oral media of communication finds its application not only in linguistics, but also in philosophy, sociology, ethnology and other areas. Other possibilities for applying this theory in musicology were noted some fifty years ago, but when it comes to church music, such issues have not yet been subject to wider examination. This text considers the musicological implications of orality, literacy and "secondary literacy" in the collection of Serbian church chant transcribed and published by Stevan Stojanović Mokranjac. Psychodynamic elements of the oral-written/ literal paradigm, with a special emphasis on the latter, are analyzed, with the aim of defining a different context for the understanding of Mokranjac's specific approach to chanting tradition.

Funder

Ministry of Education, Science and Technological Development of the Republic of Serbia

Publisher

Centre for Evaluation in Education and Science (CEON/CEES)

Link

https://scindeks-clanci.ceon.rs/data/pdf/0354-818X/2014/0354-818X1444133P.pdf

Reference19 articles.

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3. Danica Petrović, "Srpsko pojanje u pisanom i usmenom predanju" [Serbian Chant in Written and Oral Tradition], Naučni sastanak slavista i Vukove dane [Conference on Slavic Studies, Days of Vuk Karadžić], 1985, 14, 257-264;

4. Ivana Perković, "Serbian Chant on the Threshold: the Dialogue between Orality and Literacy", in: Laura Vasiliu et al. (eds.), Musical Romania and the Neighbouring Cultures. Traditions - Influences - Identities, Frankfurt am Mein, Peter Lang, 2014, 81-87;

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