Audiovisual media in public ethnomusicology and education: A Sardinian experience

Author:

Lutzu Marco1

Affiliation:

1. University of Cagliari, Cagliari, Italy

Abstract

In recent decades, audiovisual media has been increasingly used in ethnomusicological research. If we consider how scholars use them, four main areas of application can be identified: 1) data analysis, 2) documentary films, 3) public ethnomusicology, 4) educational use. This article presents some audiovisual products on traditional instrumental and vocal music as well as improvised sung poetry in Sardinia (Italy) on which I have worked over the last few years - including the visual representation of musical and poetic forms, and also audiovisual products for exhibitions, museums and multimedia encyclopaedias. My aim is to discuss the role played by ethnomusicologist in conceiving new strategies for the visual representation of the music of oral tradition in different productive contexts and audiovisual outputs.

Publisher

National Library of Serbia

Subject

Music

Reference32 articles.

1. Adamo, Giorgio. 2010. Vedere la musica. Lucca: Libreria Musicale Italiana.

2. Baily, John. 1988. “ICTM Colloquium on Film and Video”. Yearbook for Traditional Music 20: 193-198.

3. Bentzon, Andreas F. W. 1969. The Launeddas: A Sardinian Folk Music Instrument, 2 voll., Acta Musicologica Danica n° 1. Copenaghen: Akademisk Forlag.

4. Burckhardt Qureshi, Regula. 1987. “Musical Sound and Contextual Input: A Performance Model for Musical Analysis”. Ethnomusicology 31 (1): 56-86.

5. Cámara De Landa, Enrique, Leonardo D’Amico, Matías Isolabella and Terada Yoshitaka, eds. 2016. Ethnomusicology and Audiovisual Communication: Selected Papers from the MusiCam 2014 Symposium. Valladolid: University of Valladolid.

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